Showing posts with label ocean. Show all posts
Showing posts with label ocean. Show all posts

Jul 15, 2010

Y&T, "Summertime Girls"

And Don't Call Us Shirley!
Y&T, Summertime Girls
THE VIDEO Y&T, "Summertime Girls," Down for the Count, 1985, Majestic Rock

Click here to watch this video NOW!

SAMPLE LYRIC "Summertime gir-irllllls / you may my whole world go 'rrrround / summertime gir-irllllls / when you lift me up, I never come downnn"

THE VERDICT Oh, Y&T. Allmusic claims this is a self-conscious parody of "California Girls," but my analysis implies it's not. Best case scenario, it's an homage to Kentucky Fried comedies like Airplane! and The Naked Gun. It's actually got a similar sense of humor. Were it not for the utter cheesiness (particularly the atrocious costume choices made by the band) and the fact that musically, this is no "California Girls", this might actually be halfway decent. Alas, it's Y&T.

I mean this is the same band that has named their album "Down for the Count," implying they're in not such a good place. But then they've taken it even further, with ridiculous album art that depicts a swooning female robot about to get down with The Count -- oh and I'm capitalizing that for a reason, because it shows Count Dracula. I mean really Y&T. Really.

But okay, the video. The video opens with a homeless person walking along a garbage-strewn sidewalk. He taps at another bum, then continues on to examine a garbage bin beside a large sign that informs us this is Venice Beach. It also -- in just the first Zucker-like moment -- informs us the beach prohibits smoking, drinking, loitering, or accordion solos. As the bum goes through the trash, it begins to shake, and then bam, next thing you know, the bum has uncovered the drummer from Y&T (or as I shamelessly refer to him, the fat one).

Where else can we find Y&T? Well, we get a wipe that looks like a page turning (or the screen peeling back), and then we see the lead singer and bassist crawl out from under a rock that has been spraypainted "Y&T." Yes, because nothing makes the kids think you're cool and contemporary like literally crawling out from under a rock.

We get a wipe traveling up the screen, then we see a dude with what is labeled a "heavy metal detector." He makes a shocked face, then discovers he has uncovered the guitarist from Y&T, who shakes him off and walks away to meet up with the rest of the band. They are all wearing ridiculous beach clothes (short-shorts on three out of four), but the lead singer gets special mention for wearing a cropped, belly-baring tee shirt that says "Turbo Made in Italy" and having the bottom layers of his hair braided and beaded. Whoever advised him on this should have been fired.

Y&T, Summertime Girls

They all lip synch the first line of the song, then dramatically act out the lyrics, scanning the beach for girls walking by. They are quickly rewarded with a giant posse of women barreling down the boardwalk. Of particular note is the girl in striped bikini and Wham!-esque "Choose Me" tee, who is all over this video and has clearly been designated as the "hot extra," similar to the blond in the white dress in "In and Out of Love."

Y&T keep singing and making goofy faces, then we see a lifeguard carrying a woman in a mermaid costume. I say a "woman in a mermaid costume" and not a mermaid because, come on, the fish tail part is too big for her! You can clearly see it hanging off her waist. They're followed by a woman dressed as Carmen Miranda, with a big fruit basket on her head; a Hare Krishna (clearly Airplane! inspired), and a nerdy couple dressed as tourists. Y&T always poke fun at nerds in their videos, which seems a little, well, um... let's just say it's never a good idea to alienate your core demographic.

All these folks file past Y&T, but the boys save their most eye-popping faces for the quartet of women rolling up the boardwalk last. They are all dressed in sort of sexy biker gear -- black leather pants, jackets, etc. Just seeing them onscreen makes me feel sweaty, itchy, and uncomfortable. Oh, I don't mean like they're a turn-on! Ew, no. I mean I'm already imagining how uncomfortable it would be getting sand in those leather pants. I love the beach but ughh do I hate sand.

These ladies -- who are also bedecked in all kinds of chains -- feel the need to push directly through Y&T rather than go past them. They attempt to push them over, but nope, they're all still singing and making goofy faces. It didn't work.

The "Choose Me" girl has taken her shirt off, and is posing on her towel with the pier in the background. Meantime, the biker ladies have set up in an especially hot and icky looking place -- ew, I feel sweaty and dirty every time they're on screen! They are facing away from the water, and have a bunch of hubcabs hung on a fence behind them. The ladies have switched into some weird combination of bondage gear and lingerie (I mean really! Stockings at the beach?!). It is physically uncomfortable watching them on screen. Their only plus is reminding me of bad 80s dystopian future movies they watch on Mystery Science Theater 3000 like "City Limits" and "Robot Holocaust." These gals could be extras in either.

Y&T, Summertime Girls

We briefly see the lead singer dancing around next to the mermaid while the Hare Krishna strolls by. Then we see a blonde in a white bikini putting on suntan oil (not sunblock -- you know, the dark brown Hawaiian Tropic stuff). Ahhh! Noo!!! Then we see one of the biker ladies pouring Valvoline motor oil on her leg and rubbing that in. Ahh!! Just thinking about doing that, smelling that in the heat, then getting sand stuck to it -- seriously, this video is giving me a bad case of OCD.

The lead singer dances around a little more, then we see (I think) the guitarist snatch a pair of binoculars from the nerdy tourist couple. The (again, my best guess) bassist is using a watering can to keep the fake mermaid's tail moist, and the drummer (aka the fat one) is eating fruit from fake Carmen Miranda's headdress. Oh Y&T, your dorky humor knows no bounds.

We next actually see the band pretending to play the song, going nuts next to the boardwalk while women walk by completly ignoring them. This is followed by a sequence I really don't get -- women in bikinis rollerskate up and down the boardwalk holding increasingly large ghetto blasters up on their shoulders. I think we're supposed to laugh at the ever-increasing magnitude of the jamboxes, but honestly, I'm not sure. In between, we briefly see the Hare Krishna greeting the nerdy tourists.

Now the biker ladies are on roller skates, while still in their bondage/lingerie gear. They roll close to Y&T (who are still playing the song next to the boardwalk), creating a giant cloud of dust that blows the band away. It also conveniently provides a transition to the next scene, which features Y&T attempting to play volleyball against a bunch of the conventionally attractive women.

They should have kept their eyes on the ball instead of just lip synching and dancing, because one of the biker ladies catches the volleyball and proceeds to fully deflate it just by squeezing it with her hands. Each one of the biker ladies walks past the guitarist making a mean face at him after she throws the ruined ball at his feet.

Then we're back on the boardwalk with the lead singer, who is ogling ladies while he walks past a food stand. A carnival barker convinces him to try a game that involves throwing a baseball through a plywood cutout of a clown's mouth. The Y&T guy decides to give it a try, and of course, he's terrible -- the "Choose Me" girl waiting over at the food window giggles at him. No matter. He picks up the bazooka at his feet and fires, destroying the entire clown backdrop (and I'm assuming, leaving many dead and wounded on the beach beyond, but they don't show that part).

Y&T, Summertime Girls

The smoke from the explosion provides the transition to the next scene, showing all the conventionally attractive women packing up their beach stuff to head home. As the sun sets, we see all the different characters from the entire video plow past Y&T, who appear to be begging? I don't know what they're doing, maybe just singing and making weird hand gestures. It's hard to tell. We get an inexplicable close-up of a woman wearing a toga and a helmet -- is she supposed to be Roman? Joan of Arc? Not sure.

Next thing you know, looks who's here, it's the Y&T robot, wearing giant novelty sunglasses. He seems to be having more trouble walking than usual, I guess due to the sand. See? Sand is just problems for everyone. His giant swinging arms knock over Y&T.

Y&T give up and plop themselves into the sand, looking all sad. Aww, poor Y&T. You can see the "Y&T" rock in the background behind them, maybe they should crawl back under that. But no wait, look, walking up the beach, it's the biker ladies. After coldly assessing the lads for a moment, they offer them their hands and help them up. We then see a long shot of everyone silhouetted as they walk along the pier, with the shambling Y&T robot bringing up the rear.

So is this a happy ending for Y&T? Umm, depends what you mean by "happy ending." (Oh ew, I am not trying to make a double entendre people, get your minds out of the gutter!) My guess is this is like the Beavis and Butt-head where the hot biker lady talks to them, but all she's looking for is for them to help her steal some stuff from the convenience store where they're always hanging out. (Clerk: "What's that there in your pants?" Butt-head: "Wouldn't you like to know.") I could picture Y&T sitting around afterwards, much like Beavis and Butt-head, eating nachos and reminiscing about that time a chick talked to them.

May 13, 2010

White Lion, "Little Fighter"

My Opinionation
White Lion, Little Fighter
THE VIDEO White Lion, "Little Fighter," Big Game, 1989, Atlantic

Click here to watch the video NOW!

SAMPLE LYRIC "Rise again, little figh-igh-ter / and let the world know the reason why / shout again, little figh-igh-ter / and don't let it impair the things you do"

THE VERDICT This song is so adorably horrible, just like so many of the things White Lion do (except for "When the Children Cry," which is just regular horrible). The other day I made a new Pandora station because I felt like hearing this song. I asked it to combine White Lion, Winger, and Warrant, and boom! This was the first song it played. Pandora's rather genius when it wants to be.

In any event, I've been in the mood for just this type of song -- poppy, inspirational, but with randomly crunchy guitars and a vaguely froggy-sounding vocalist -- for a while. This whole spring has just been a slog of hard work, and so I've really needed the inspiring stuff to get myself to keep at it (and yeah, the Krokus really wasn't cutting it -- especially since we don't even have crocus here on the west coast!). Hence here we are with "Little Fighter," an inspiring song but unfortunately -- not a very inspiring video.

Bracketed by black and white footage of the band walking moodily along the beach (very reminiscent of the "Faith + 1" album art), "Little Fighter" is mostly just White Lion playing on a stage set with about a zillion colored lights. Someone made the decision that the best way to light the video was to shine the lights directly into the camera, making a lot of the video bleached out and pretty illegible. But since all the shots are pretty damn repetitive, it's not a huge loss.

White Lion, Little Fighter

Mike Tramp is at his most teen idol here. I've said it before and I'll say it again -- this man looks like Joey Russo in a wig. Don't even pretend you don't know what I'm talking about, you remember Blossom. You know who Joey Lawrence is. Heck, you probably even remember his other, less successful brothers. In any event, Tramp is a dead ringer and still is today. They could be in some kind of Parent Trap movie about teen idols who are now adults and uh... want their parents to be reunited, I guess. Anyway Tramp is all over this video in a blur of white teeth, blonde curls, and colorful studded leather jacket.

Vito Bratta's also in most of the shots, though he looks way less enthused about being there than the other band members. He's downright subdued through the whole thing, even the solo. I feel like he's just getting the job done. It's especially weird since he doesn't leave the band. In contrast, James LoMenzo -- who is totally about to leave the band -- looks thrilled to be there in his custom Big Game spandex. I'd get started on how much I love custom spandex, but then I'll be back on about wrestling again, and I just dragged readers through a big ol' post on that, so.

Long story short, this video just isn't that interesting. It's really just a lot of shimmying around and making faces at the camera, weirdly (thanks mostly to Vito) minus the usual guitar waving. Why? They could have made such a cooler video for this song. In fact, I have the perfect concept and I can pitch it to you in two words: Baby. Animals.

These are just pictures of baby animals

I mean come on, "rise again, Little Fighter"? I'm sorry, but this just makes me think of baby animals learning to walk. Think about it -- little baby foals and calves and such, trying to stand on their spindly legs, and then toppling over. Or even more exotic animals! Giraffes! Or okapi even! Trying to stand, and falling over, and rolling around on the ground with their disproportionately large heads and eyes. It would be tooooo cute. And it would go with the song. Ohh! And they could feature baby lions, of course.

Then during the most inspirational bits, it could be video of these animals running around! Like "Eff yeah, I figured out how to walk today!!" And running with their moms and stuff. It would be super-inspirational. Plus super-cute. And I mean cute cute, not just Mike Tramp cute. Honestly, if White Lion had made a video extensively featuring baby animals in 1989, people would think they were freakin' visionaries today, and that video would have a gazillion hits on YouTube.

Seriously, try this as an experiment: Find a video of a baby animal (ideally learning to walk, but doing whatever, baby animals always are having troubles with like drinking or eating properly or whatever) on Cute Overload or something, mute whatever audio originally went with it, and play this song. It totally goes, right? I think I've really got something here.

So according to allmusic, this song is about Greenpeace. And yeah, looking at some of the verses in more detail, it totally is. But whatever! I think baby horses are totally also fighters for the earth. Maybe not the sea, but that can be for the baby otters.

P.S.: After all the Joey Lawrence references, don't even pretend you don't get the title of this post.

Jan 7, 2010

Guns N Roses, "Estranged"

Too Big Not to Fail
Guns N Roses, Estranged
THE VIDEO Guns N Roses, "Estranged," Use Your Illusion II, 1991, Geffen

Click here to watch this video NOW!

SAMPLE LYRIC "When you're talking to yourself / and nobody's home / you can't fool yourself / you came in this world aloh-one / alone" (Note this is nearly whispered over some tinkly piano. This song has no chorus, so if you don't recognize the intro, I probably can't help you.)

THE VERDICT If you thought the "Is Axl dead no wait is Stephanie Seymour dead" shenanigans of "Don't Cry" and "November Rain" were as over the top as Guns N Roses got, clearly you forgot the final video in that trilogy, the often-overlooked "Estranged." By way of comparison, those two video epics look downright understated next to this monstrosity.

Don't believe me? Okay then, ponder for just a moment what the budget for this video must have been like. I mean, look at what it includes, and tell me this doesn't read like a completely insane person's list of demands:

- Research expenses (looking up words in the dictionary)
- A giant mansion
- A SWAT team
- A rocking Tyrannosaurus Rex. This is like a rocking horse, only it's a dinosaur with handles and a saddle on it.
- Charles Manson tee
- A dozen or so all-white LAPD uniforms (for fantasy sequence; this is in addition to regular uniforms for reality sequence)
- A dozen or so racially diverse child actors to play around your mansion and look befuddled when they drag you off to the loony bin
- A white limo (fantasy sequence) and a black limo (to take you and your fake son to your concert)
- Custom dolphin hood ornament thing-y for the white limo
- Police and permits to facilitate stopping vehicle and pedestrian traffic for several blocks on the Sunset Strip
- Various equipment for Slash to stand on while he plays the guitar solos
- Oil tanker rental
- Helicopter plus Axl stunt double for shots with oil tanker
- Coast Guard helicopter and diver
- CGI dolphins
- Real dolphins
- Not 100% sure, but that one at the end looks like an animatronic dolphin

Guns N Roses, Estranged

(Note that if you're really curious about this, and have at least $1.72 plus shipping and handling to burn and a VCR, you can actually purchase the "Making of 'Estranged'" which is apparently "Part 4 of the Trilogy" [shouldn't this tell you something?]. Amazon reviewers tell us parts of the video were filmed in a wave pool, as if this weren't abundantly clear already! To be honest, I'm very tempted, but I don't have anything that'll play VHS.)

It sort of reminds me of when I was in first or second grade, and every time it was someone's birthday, the teacher would have everyone draw pictures for that person of what they wished they could give them for their birthday. Being relatively young kids, and this being the 80s and thus six and seven-year-olds not being considered tweens, we were pretty nice about it -- everyone gave everyone more or less the same gifts, so it wasn't a popularity contest.

Anyway, the most popular gifts included rainbows, a money tree (this was not a check-cashing place but a tree that grew money), and exotic pets. Obviously, "Estranged" has got the last item checked off on the list, but honestly I wouldn't be surprised if they had had to tell Axl the rainbows and money tree were going to put them too far over budget.

I mean I remember around this same time I had a special issue of Life magazine that someone had given me because it was their music issue (I still have it, in horrible, tattered condition). It had an article about Guns N Roses in it -- the text is here, but what really made this article were the pictures, most of which showed GNR having one of their after-show parties at some arena catered as if it were a Roman feast, complete with togas and laurel wreaths, a roast pig carried on a tray, and some really ugly strippers. Compared to this video, that pictorial is downright quaint. (Though let me also mention, you know who else liked ridiculously lavish Roman-theme parties? Executives from Tyco. Though in GNR's case, they were one of the reasons Izzy left the band.)

Or let us remember back to their first video for "Sweet Child O' Mine." All that is is GNR playing the song on a set, with some b-roll of them with their actual girlfriends and a Rottweiler. They didn't need a Coast Guard helicopter or CGI dolphins to know how to rock!

Guns N Roses, Estranged

Seriously, it took Guns N Roses barely four years to live out the entire life cycle of the major label rock band, a cycle that used to take bands nearly twenty years to complete! From the underbelly of the Sunset Strip to double albums and eight-minutes-plus songs, beating up supermodels, blowing off shows, and this song, which combined with "Don't Cry" and "November Rain" more or less constitutes a rock opera in my book. The second half (movement?) of this song (beginning with "when I find out all the reasons") is actually pretty good, but it's easy to forget what with how absurd this video is.

In case you've already forgotten (even with our handy list of expenses above), let me remind you of some of the things that happen in this nine minute, forty-one second opus:

- Axl evades an enormous SWAT team by sleeping on top of some kind of shelf above his closet.
- Guns N Roses fans storm an arena for a general admission seating concert. No one gets trampled and Axel doesn't cancel the show.
- During this concert, while the band is ostensibly playing "Estranged," a shot captures Axl's teleprompter displaying the lyrics to "Welcome to the Jungle."
- Taking a nap after the concert, Axl has an out-of-body experience in which he uhh... well, he curls up in the shower in a fetal position while fully clothed.
- Looong fantasy sequence with everyone wearing white, as per above. Between the erratic behavior, crazy mansion, and army of little kids who aren't his, Axl here is a bit reminiscent of Mr. Jefferson.
- Oh did I mention that last section is all shot with some kind of wiggly gel on the camera, while (present-tense) definitions of the (past-tense) word "estranged" show at the bottom of the screen?

Guns N Roses, Estranged

And really, at this point, things are only getting started. We aren't even quite halfway through the song! It hits maximum ridiculousness -- well, for the first time anyway -- at five minutes, twenty-three seconds in, when the members of GNR walk up to a large cargo plane... and a humongous CGI dolphin swims out of it. Didn't anyone think to say to him, "Axl, this is kind of ... uh ... maybe not the best direction for the band?"

A bunch of hot women (and their kids) who had earlier been watching live footage of GNR now start watching dolphins on TV, and in an homage to the opening scenes of "Welcome to the Jungle," we see Axl leaning against a store's grate, with TV screens showing dolphins behind him. Yep, it's dolphins from here on out folks.

Axl walks along the sidewalk from the Roxy to the Rainbow Bar & Grill. Beside him, the street is full of water, which is full of giant dolphins swimming alongside him. Still more gigantic dolphins emerge from a billboard above the Rainbow, and then Slash emerges from its door. He appears to be riding on a people mover as he plays the first solo, since he sort of floats past everyone else on the sidewalk without having to walk himself.

Next thing we know, we're on a giant oil tanker (I know, this video just keeps going and going) that must be empty because it's riding really high in the water. We see Axl walking around on deck, and next thing we know, he's jumped off the dang ship. Not sure on this ID, but I think it's Gilby Clarke who inexplicably next appears and throws him a life preserver. Luckily by this time, Axl is thrashing around in what is obviously a tank of water on a set, so don't worry, he's safe. Still, that doesn't stop what appears to be a roadie in a rowboat from coming out to try to rescue him.

Guns N Roses, Estranged

Throwing away the life preserver and ignoring his other potential saviors, Axl's drowning until suddenly he finds himself surrounded with what appear to be real dolphins. He grabs the fin on one of them and rides away. For some reason, this causes the water to turn red and the sky orange, and next thing you know a fully-clothed Slash has risen out of the ocean to play the second solo.

Keeping this video's ever-so-tenuous grip on reality vs. fantasy intact, we then see Axl again thrashing around in the ocean, but fear not -- here comes Matt Sorum in a Coast Guard helicopter. Okay really -- how did anyone come up for the ideas for what happens in this video?! Anyway, a diver jumps in and saves Axl, and pulls him up into the helicopter.

The video closes with one of Axl's customized kicks sinking beneath the surface of the water. It's no wonder that ship looked like it was riding high -- apparently the water Axl was just nearly drowning in was about six feet deep! It concludes with what we can only term a WTF moment: A wet Axl, bundled in a towel, sitting next to what we can only hope is an animatronic dolphin, wearing one of Axl's flannel shirts.

I mean really people -- where could GNR have gone from here? Practically every shot in this video involved a helicopter, a crane, underwater cameras, or CGI. I mean, I know metal is all about excess, but seriously, this is the video equivalent of that Enron guy's apartment that had the $6,000 shower curtain and the $15,000 umbrella stand. Sure, everyone needs a shower curtain -- just like any band needs a video -- but did it really have to be that shower curtain? Did it really need to be this video?